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SOLIDARITY is a 100+ foot community mural honoring the West Virginia Mine Wars and the people who shaped them. Through portraiture, shared history, and collective making, this project invites people of all ages and skill levels to paint alongside one another and contribute stories, creativity, and care. Created by more than 1,000 West Virginians, SOLIDARITY is both an educational record and a living act of resistance that reclaims Appalachian identity as something rooted in dignity, solidarity, and the power of the Appalachian people. The completed mural will be installed at West Edge Factory in Huntington, WV, and unveiled on May Day 2027 (May 1st).

mother jones prints now available!

A museum-quality reproduction of Mother Jones, painted by 108 Appalachian community members, printed locally, and packaged and shipped by my friends at Mountain Mindful!

These are GORGEOUS prints on archival watercolor paper, hand-signed by me and shipped flat. Standard size for easy framing.

EVERY PENNY of the profits of these sales will go to ReCreate Appalachia so we can bring more community art to West Edge Factory and beyond!

GET YOUR MOTHER JONES PRINT HERE!
 

Community-created portrait of Ralph Chaplin, 36x48”, Acrylic on Polytab. Designed and planned by Sassa Wilkes, painted in 108 sections by community members in Huntington, WV at West Edge Factory.

Portrait 5: Ralph Chaplin

June 1, 2026

Ralph Chaplin (1887–1961) was a labor activist, writer, and artist closely associated with the Industrial Workers of the World. He helped shape early 20th-century labor organizing through both political action and cultural work, most famously writing the words to “Solidarity Forever,” which became a defining anthem of the labor movement.

During the government crackdown on radical labor organizing during World War I, Chaplin was arrested under the Espionage Act of 1917 and imprisoned for his involvement with the IWW. The well-known mugshot taken during his 1917–1918 arrest has since become an enduring image of labor resistance and is often reproduced as a symbol of the period’s political repression.


The following was written by West Virginia Mine Wars Museum Board Member Lou Martin, and was published HERE on the WVMWM website:

Justus Collins, an operator in the New River coalfield, advised mine owners to hire a “judicious mixture” of workers—white and black, native and immigrant—because their differences would prevent them from organizing and uniting. During the West Virginia Mine Wars, miners and their families proved him wrong.

Most coal camps had that “judicious mixture” of African Americans from the South and recent immigrants from eastern Europe and the Mediterranean as well as native-born Appalachians. Outside observers usually did not see a celebration of rich traditions and foodways, instead seeing a confusing mixture of cultures. One reporter from the New York Post visiting striking miners on Paint Creek and Cabin Creek in 1913 wrote, “It is estimated roughly that 50 per cent of the inhabitants are descendants of the mountaineers who once inhabited the country...The remainder of the miners are a strange conglomeration of Europeans and Negroes.”

Yet, when poet Ralph Chaplin visited the same muddy fields filled with canvas tent colonies, he saw something wonderful. He wrote, “They are doing pretty well in their tents. There is no atmosphere of martyrdom about these fighting West Virginians—nothing but a grim good humor and an iron determination.”

He believed that these families from very different backgrounds and traditions, working together to win their rights, had the potential to change the world. Inspired, he later penned labor’s most famous anthem, “Solidarity Forever.” Its last verse captures that sentiment:

In our hands is placed a power

greater than their hoarded gold;

Greater than the might of armies,

magnified a thousand-fold.

We can bring to birth a new world

from the ashes of the old.

For the Union makes us strong.

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Participants in Coalfield Development’s ReStage Appalachia PATH training finishing the portrait of Ralph Chaplin at West Edge Factory, May 2026.

Portrait 4: Sid Hatfield →